This was a study in Axonometric Drawings, the 3D but not-to-perspective design renderings. This is a very simple structure.
There's something different wrong with the door in each drawing except the bottom right. Fourth time's the charm?
Wednesday, April 28, 2010
Intro to Design Drawing: BUS STOP
The assignment here was to measure a bus stop very carefully and draw it schematically. The idea was to get some practice drawing plans, sections, and elevations. I stole a tape measure from the lab (most of my design drawings have been enabled by thieving) and did this rendering of a stop for the Marguerite. It turned out kind of boring but it is technically correct.
PLAN
ELEVATION
Not content with this, but unable to cruise for new and exciting bus stops after selling Galactica, I decided to design a bus stop myself. When it came time to present these drawings to the class, I thought it would seem a bit too eager to admit I conjured this up on my own. I lied and said I found it in Mountainview.
PLAN Yes, it's important to use a template whenever drawing a curve rather than attempting it freehand. Lesson learned.
SECTION
ELEVATIONS - The bus stop in "Mountainview."
The next day I looked at my drawings and decided I should add a perspective sketch to show off the idea I was getting at. I wish I hadn't waited a day, since I really lost a sense of it and the perspective here is technically pretty poor. Also, the dark lines on either side shouldn't be there. According to all the other drawings, the clear glass just wraps around.
PLAN
ELEVATION
Not content with this, but unable to cruise for new and exciting bus stops after selling Galactica, I decided to design a bus stop myself. When it came time to present these drawings to the class, I thought it would seem a bit too eager to admit I conjured this up on my own. I lied and said I found it in Mountainview.
PLAN Yes, it's important to use a template whenever drawing a curve rather than attempting it freehand. Lesson learned.
SECTION
ELEVATIONS - The bus stop in "Mountainview."
The next day I looked at my drawings and decided I should add a perspective sketch to show off the idea I was getting at. I wish I hadn't waited a day, since I really lost a sense of it and the perspective here is technically pretty poor. Also, the dark lines on either side shouldn't be there. According to all the other drawings, the clear glass just wraps around.
For Kyle
A Foray Into Design
The drawings in this post are entirely fictional.
A rough mock up of a modern airport terminal. You see stuff like this all over the place.
You used to see stuff like this all over the place. I got bored and stopped drawing all the stones.
I often joke that I'm going to quit my career (whatever that is) and open an existential sandwich shop. Here it is, the 'Death is Inevitable. Sandwich Shoppe.'
Here's a sort of modern Northern California house.
A marina. Charles really liked the boats. I've been drawing boats in the margins of my notes since Ninth Grade, so they'd better be good.
You got me. This "tower" is based on a sculpture I made out of legos. It's still in my bedroom somewhere at home. i.e. this is the real vernacular from my childhood.
Here's some Greek thing. These seem to have fallen out of fashion.
I like this little factory. Complete with helipad.
Here's an idea for a red brick kitchen that opens into a dining room. I particularly like the shelf built into the wall for the cookbooks. I never know where to put all these cookbooks.
Here's a sort of LDS-type church. Pretty creepy.
The perspective here is all kinds of wrong, but I like this bridge.
Weird, right? Maybe in a Swiss Ski Resort town? I really like this modern meets fairytale style. I'm sure we'll see it again.
This bedroom has all the things I'd want in a bedroom. Windows over the pillow, pop art, and a table. Rebecca Nie suggested that the windows could have an ocean view (great idea!) To which Jesse observed that carrying around a book full of sketches would be a great way to sleep with Rebecca Nie. Charles said it reminded him of a Matisse, so I'm not sweating it either.
Okay, more New England stuff. But don't the large modern windows count as a subversion?
The bathroom is to Lily's specifications with the walk-in shower. If the illustration looks jarring, it's because the walls have no thickness. Lesson learned.
A rough mock up of a modern airport terminal. You see stuff like this all over the place.
You used to see stuff like this all over the place. I got bored and stopped drawing all the stones.
I often joke that I'm going to quit my career (whatever that is) and open an existential sandwich shop. Here it is, the 'Death is Inevitable. Sandwich Shoppe.'
Here's a sort of modern Northern California house.
A marina. Charles really liked the boats. I've been drawing boats in the margins of my notes since Ninth Grade, so they'd better be good.
You got me. This "tower" is based on a sculpture I made out of legos. It's still in my bedroom somewhere at home. i.e. this is the real vernacular from my childhood.
Here's some Greek thing. These seem to have fallen out of fashion.
I like this little factory. Complete with helipad.
Here's an idea for a red brick kitchen that opens into a dining room. I particularly like the shelf built into the wall for the cookbooks. I never know where to put all these cookbooks.
Here's a sort of LDS-type church. Pretty creepy.
The perspective here is all kinds of wrong, but I like this bridge.
Weird, right? Maybe in a Swiss Ski Resort town? I really like this modern meets fairytale style. I'm sure we'll see it again.
This bedroom has all the things I'd want in a bedroom. Windows over the pillow, pop art, and a table. Rebecca Nie suggested that the windows could have an ocean view (great idea!) To which Jesse observed that carrying around a book full of sketches would be a great way to sleep with Rebecca Nie. Charles said it reminded him of a Matisse, so I'm not sweating it either.
Okay, more New England stuff. But don't the large modern windows count as a subversion?
The bathroom is to Lily's specifications with the walk-in shower. If the illustration looks jarring, it's because the walls have no thickness. Lesson learned.
MEMORABLE PLACES
Okay, this batch is a series of "real" places, or variations on real places, that I know. All of the drawings were done remotely, from memory, sometimes with deliberate changes. You'll see what I mean.
Here's my parents' living room on the Cape. I'm pretty sure I got this right, though I don't know if that weird Mexican print is still hanging there.
And here's something like the kitchen in Adam Bellow's apartment. This is also the first piece of 'design' I've done since there are deliberate modifications. The window seat, for example, since I've always found that my feet start hurting if I'm cooking in there. There's also a cut out in the wall above the sink (although in Adam's apartment that would face into a bathroom...), and I think I changed the pattern on the floor.
This is sort of like, or at least inspired by, the balcony in Jon Reeder's apartment in Amsterdam. The perspective is a little screwy, but it was mostly an exercise in texture. It seems to me a comfortable place to spend a cool summer night (which I have done, on psychedelics).
This is not a real place, but it's in the spirit of New Englandy homes and not entirely unlike my parents' house on the Cape. Charles really liked this sketch, and I do too. It was my first attempt to use a fountain pen. Sadly, the sharpie lines from the drawing of Adam Bellow's kitchen on the reverse side bled through and are hard to ignore. In the future, I'll stick to one drawing per piece of paper. Lesson learned.
Again, not a real place per se. Charles' response to this one was that I like to draw in this "vernacular" style because it comes from my childhood. I was a little surprised by that; maybe people in California think this is what New England looks like? I guess they're pretty much right, actually. In any case, I promise that if I design anything too New Englandy, I'll try to subvert it in some way.
Here's my parents' living room on the Cape. I'm pretty sure I got this right, though I don't know if that weird Mexican print is still hanging there.
And here's something like the kitchen in Adam Bellow's apartment. This is also the first piece of 'design' I've done since there are deliberate modifications. The window seat, for example, since I've always found that my feet start hurting if I'm cooking in there. There's also a cut out in the wall above the sink (although in Adam's apartment that would face into a bathroom...), and I think I changed the pattern on the floor.
This is sort of like, or at least inspired by, the balcony in Jon Reeder's apartment in Amsterdam. The perspective is a little screwy, but it was mostly an exercise in texture. It seems to me a comfortable place to spend a cool summer night (which I have done, on psychedelics).
This is not a real place, but it's in the spirit of New Englandy homes and not entirely unlike my parents' house on the Cape. Charles really liked this sketch, and I do too. It was my first attempt to use a fountain pen. Sadly, the sharpie lines from the drawing of Adam Bellow's kitchen on the reverse side bled through and are hard to ignore. In the future, I'll stick to one drawing per piece of paper. Lesson learned.
Again, not a real place per se. Charles' response to this one was that I like to draw in this "vernacular" style because it comes from my childhood. I was a little surprised by that; maybe people in California think this is what New England looks like? I guess they're pretty much right, actually. In any case, I promise that if I design anything too New Englandy, I'll try to subvert it in some way.
SOME PRELIMINARY SKETCHES
I thought I'd begin by displaying some very literal representations that were done while looking at the subject.
Here's a rendering of a little metal horse statuette that Charles brought into class. The rendering is done in pencil.
Next, here's a gear propped up against my laptop. I was using this as a study in shadow and shading. It's a little warped, but not a bad place to start. I hope it will give this blog that needed element of steampunk.
And here are some Stanfordy arches:
Then there are these drawings of the Hoover Tower and the fountain in front of the Hoover Tower. With the fountain, I tried to capture the downward motion of the water. Very difficult.
Here are some cafe chairs at Bytes (this is my favorite of this group):
And this is a picnic table outside the material science buildings. Charles had a lot of praise for the perspective, but I don't know...
Here's a rendering of a little metal horse statuette that Charles brought into class. The rendering is done in pencil.
Next, here's a gear propped up against my laptop. I was using this as a study in shadow and shading. It's a little warped, but not a bad place to start. I hope it will give this blog that needed element of steampunk.
And here are some Stanfordy arches:
Then there are these drawings of the Hoover Tower and the fountain in front of the Hoover Tower. With the fountain, I tried to capture the downward motion of the water. Very difficult.
Here are some cafe chairs at Bytes (this is my favorite of this group):
And this is a picnic table outside the material science buildings. Charles had a lot of praise for the perspective, but I don't know...
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